patrick topping returns to hot creations with his taking libz ep and demonstrates why his reputation carries such weight with three special tracks that act as a master-class in how to create music that will consume dance floors. first up is brayed which takes the listener on a loopy and enriching journey, whilst howk is a classic foot-to-the-floor number. concluding the ep is taking libz, the title track that sees topping firmly hold onto his crown with this unstoppable cut. i-d magazine described patricks style that is characterized by punchy,chugging baselines that have become weapons in the sets of many a dj. started his career djing at the club night motion in newcastle, he was quickly snapped up by jamie jones, for hot creations. releases on the label and a residency at paradise dc10 in ibiza soon followed and 2014 saw him release get beasty, forget and voicemail featuring green velvet and concluded with a hattrick of awards including winning the dj mag best newcomer, track of the season and best tune awards in their best of british awards.

nice price deal !!! original written and composed by ndinga gaba (ascap zomo music), carrie grochowski (ascap carrie lynn grochowski), marc avon evans (a von evans tune ascap) and mosno for t3n. vocals performed by marc avon evans, sahffi and mosno. 01-02 remixes produced by jojoflores, rise ashen and rom zareski for jamsteady productions. 03-04 remixes reconstructed with additional production by tyrone solomon and martino lozej for 83 west productions. all keyboards performed by martino lozej. drum programming and mixed by tyrone solomon.

proud to annoucne that audiojack are joining our label! this is a complete summer tune with 2 massive remixes by our favorites joeski and kevin yost!

soothsayers are back with a double a side featuring two massive tunes from their forthcoming album. originally released on the strut records album collaboration with cornel campbell, soothsayers have reworked their tune nothing can stop us upping the tempo and showcasing the vocal recipe of singers idris rahman , robin hopcraft and julia biel take me high is a heavy, dark and spacious head-nodder. sublime tripped out vocals by soothsayers as cornel campbell floats high in the atmosphere above accompanied by earth-shaking trombone and analogue bleeps in a sumptuous dubbed up mix. warm analogue sound recorded at fishmarket studios, mixed by daniel boyle at rolling lion studios. soothsayers releases are always championed by dj david rodigan (bbc 1xtra), as well as gilles peterson (bbc6) and many others.

the allergies are back with another slice of 45 action. love s supposed to be takes you back to the glory days of northern soul, with an upbeat rhythm section driving the track, and a sing-along vocal that cuts through perfectly. on the flip is the crowd pleasing title track taken from their album, as we do our thing . brandishing punchy horns, motown-esque drums and unapologetic samples, this track is the embodiment of what they re all about.this is without a doubt a must have piece of wax that would be at home in anyone s 45 collection. as we do our thing was album of the day on bbc 6 music and hit top 3 in the itunes chart and 1 on juno download. the first single rock rock featuring andy cooper of ugly duckling fame was tune of the month in mixmag and was accompanied by a killer video that was featured on channel 4 sunday brunch

nice price deal !!! for the first time chicago artists traxx & josh werner come together as jm strap and they are responsible for the a side of this record. we proudly present >the owl in daylight<, an amazing track that brings back the chicago jakbeat sound with an incredible bassline that seems alive, weaving all around the song to take it to the next level with a simple but intriguing dark pad and brilliant solid drums. on the flip we have >play error< by juanpablo. this madrid based artist is responsible for the frigio label and his track composed on the phrygian scale. the result is a dark and rythmic tune with a sweet melody and background voices. like the other tunes on this record >mute city< by lektoluxe remains at the underground level with galactic melodic synths and a fat deep bass that switches to acid tones at points.

the first release on confused machines pays respect for some of their homeland collaborators/heroes in a form of remixes. side a present two remixes by the models. the first one for the cult ex jerusalemite trio mouth and foot, a slow and mellow / romantic house tune (in hebrew), while the second remix is a dark shoegazy atmosphere with harsh 808 treat for singer songwriter bela taar. the flip side holds an essential edit for late 80 s post punk female duo mafatal, mule driver turned the original cut into a dance floor hit using tribal poly-rhythmic drumming with merciless driven bassline.

this is a limited edition vinyl only sampler of the forthcoming album the bells by kornel kovács. these tracks, extended takes on album cuts gex and joseys tune as well as a remix from the one and only samo dj are exclusive to this record. enjoy the music! the bells is out august 24 on studio barnhus. all the best from stockholm city, studio barnhus

dramaturgisch tipp-topp dynamischer house in zwei richtungen: die a-seite basiert auf einer hypnotischen synth-meledie, und kommt wuchtig im bassbereich. ein moderner aber auch shahrokh typisch eigener house tune, durchaus für die peak time. die b-seite ist etwas graziler, ein mit steel drums durchtränkter, subtil triolisch groovender mid-tempo track, der im club wächst und wächst. shahrokh hat beide stück mit beanfield und michael reinboth im münchner studio produziert.

when it arrived on the progressive house scene in 2000, it quickly made the rounds as a tune to be reckoned with. played by nearly everyone in the industry, its haunting vocals and psychedelic synths captured the minds and hearts of ravers worldwide.

the folk group represents a peculiar work within piero umilianis seemingly endless career. recorded for the background music series, it uncovers the maestros passion for folk and 60s/70s music. its especially characterized by the bizarre guitar improvisation and the incredible and funky underworld, a gem that we recommend to any hip-hop producer!

zweiter sampler von ibiza-dj chris coco, kurator der real ibiza-serie, und jim breese, resident-dj im café mambo. 13 hervorragende balearic-tunes, darunter neuen tracks von faze action und horsebeach, neue beach-house-versionen der 80s klassiker good life- (inner city) und hangin on a string (loose ends), stereolab-sängerin laetitia sadier mit einem dubby digi-reggae-tune, sowie vinyl-exklusiv sacha puttnam mit einem cover des abrahams theme aus dem chariots of fire soundtrack.

drum & bass tunes

all good things take time, aussteiger said once. and indeed, it took a serious amount of time to get everything set for what soon will be known as dub disco s first release! we’ve been digging deep inside his tune collection. not only to make sure that the first three-tracker is a belter, but that it also showcases exactly the kind of musical approach we wanted as our personal imprint: to hell with a boring and homogeneous release that only represents one genre! we were looking for something that stands for itself, something that tells a story, something that is representative for what the artist stands for in a musical sense. and after a tedious quest, we carefully curated something we think is dope! kicking off the number one is a track disclosing the joint forces of berlin-based collective of musicians los wawis and aussteiger s capabilities as a remixer. here appears a psychedelic version of the track, which is carried by gentle guitars, a dubby bassline as well as the funky-trippy synthesizers that usher a tropical vibe onto the dancefloors. the starter on the flip is entitled “heimat” and comes around as a melancholic interpretation of aussteiger’s time in exile, a period that enabled him to craft his very own style. there is not much to say about this bomb that the ear doesn t catch instantly: this one is an honest earworm, with it s irresistibly arranged horns and a pervasive and driving bassline. to finish everything off, we went for a nasty banger, that carefully blends different aspects of the raving side of dance music. the electrifying broken beat and it’s haunting bassline are blended with an intense influence of acid.

jongno edits is a homage to the golden age of k-pop: psych-rock, funk, disco, boogie… 60 s, 70 s, 80 s… countless hours spent getting our hands dusty in the record shops and flea markets of jongno-gu, the central district of seoul, in order to dig out the ultra-rare gems from the land of the morning calm . expect a complete reinterpretation of hard to find music, masterfully looped, edited and remastered for your listening and dancing pleasure! the first volume, a limited edition of 300 hand-stamped white labels, contains two tracks: the a side is a spacey edit of south korean ballroom disco. the slappy intro is followed by a rolling bass line, keeping the groove locked for the tape delay expeditions. side-b is a cut and paste of a classic disco-rock tune. k-pop history right here!

black country overlord justin k broadrick (jesu, godflesh) blesses regis’ downwards fiefdom with two tracks and a tightly sprung rework by surgeon. downwards have really picked the foulest iterations of a grim set for vinyl release, inscribing the industrial-strength torque of nothing is free - which sounds like early kode 9 battered by shapednoise - at 45rpm across the front face, and branding the knuckling 808 snares and distended electro bass blow out of kontorted on its backside. surgeon’s remix of the title tune ranks among his best in many years. trace elements of the original are extruded thru modular kit and remodelled on a bouncing, swerving techno chassis recalling bmb and cub classics, but streaked with sirens and vamped by a marching brass refrain that’s just spoiling for war. the release marks a long overdue overlap between downwards’ and broadrick’s interrelated industrial, noise and techno circles. broadrick was the original drummer for napalm death on their scum (1987) album, before forming the legendary godflesh, and carving out an oeuvre as one of the most feared and respected musicians to emerge from birmingham and the uk ever since.

der dortmunder larse hat bereits eine lange liste an fantastischen releases vorzuweisen, mit originalen und remixes auf großartigen labels wie dfa, defected und eskimo, eine der einflussreichsten deutschen radiosendungen für clubmusik (1live -clubbing-), ein bbc -essential tune-, eine goldene schallplatte, uvm. mächtig stolz sind wir, diesen ausnahmeproduzenten nun als festes mitglied der suol-familie willkommen zu heißen, dessen style genau dem entspricht, was wir bei suol mögen: vielseitig, geschmeidig, mit einer menge soul und dabei stets tanzbar. und das trifft auch auf die -on canvas pt.1- ep zu, die neben funky grooves und straighten 4-to-the-floor rhythmen auch die wunderbare stimme von lisa shaw (naked music) vorweisen kann.

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

official from re-edition done by phil weeks & didier allyne from gene hunt with released on svek in 1996 jazzy: synth riffs with 808 bass drums. get freaky oldschool feel and toughen the tune into techno status like robert amarni style. the man: candido sample like old moodymann house track...

kyodais debut release on mule musiq! they have released quality house music from freerange,local talk and their own imprint beer. this time kyodai teamed up with female singer and result is very emotional vocal house tune. it reminds me bit henrik schwarz remix of ane brun-headphone silence. enjoy!

sound carrier volume 8it’s back to the cosmos with the latest instalment in chris carrier’s always-on-point series, sound carrier. the label is a home for the prolific paris artist’s techno stylings, and no.8 in the series focuses on a galactical fight theme – taking us from terra firma up into the skies and beyond. the first track, ‘alien blaster pistol’, couldn’t be more self-explanatory. mysterious keys parade over an ominous bassline while the beats keep things moving neatly. gentle chimes and bleeps are added, initiating a dialogue between the various high frequencies located in the top end. next up is ‘mahem (magneto hydrodynamic explosive munition)’, which steps into familiar sound carrier territory, that is… slightly unhinged. rolling along at a steady pace, the tune is rough, yet light with shimmering effects and charming wobbly chunks of bass. on side b chris gets gnarly on us with ‘earth invasion’. it’s the beginning of the end, so of course the music has to match that frightening prospect. gruff beats and stomping bass collide with cymbals, crunchy snares and mutant acid licks to create a beast. finally, ‘haumea brigade’ takes us into the twilight zone again, whirring fx float above hard-hitting beats and a mean b-line. eerie pads help to maintain a chilling tone throughout. deadly, the soundtrack to the end of days here on earth... prepare to evacuate!

der frisch auf counter records / ninja tune gesignte künstler conner youngblood veröffentlicht eine vielversprechende 6-song ep! das vinyl-release erscheint inklusive downloadcode.

20 jahre nach dem flanger debüt auf ninja tune erweitern atom™ und burnt friedman ihre vorstellung von technoidem, zeitgemäßen jazz auf drei neuen nonplace titeln. die spinner ep (non42) bringt den womöglich brutalsten flanger-track spinner, der auf dem 2015 erschienenen album -lollopy dripper (non41, titel -spin) basiert. das 12 minuten lange, transmutierende loose joints in abwegigem rhythmus-modus (15) und der 4/4 club-track it from bit sind dagegen zwei 2016er originale mit swingender körperspannung und unruhig flickerndem glühen. dezent verpixelt versteht sich.

basil & rogers is a sleazy, california disco duo made up of heru (dj) johnny basil and body rogers. basil, a multi-instrumentalist, long-time record collector, and energy healer is a man that s been making music for a long time under many different guises and in many different styles. heru avenger (acid/psych rock), non stop (electronic/free jazz), baast (kraut rock/jazz funk), and kandi jones (slut rock) are just a few of his projects, past and present. most of this music has been around for the entirety of the 90 s and 2000 s without being heard because despite basil s outspoken appearance (described by many as looking like iggy pop s twin brother and would never be caught wearing a t-shirt no matter the location) he s very quiet about his musical output. body rogers is also part of the non stop group and is a master of electronics and engineering. on the basil & rogers project the two have made a disco 12- that is influenced by classic-era dance music while still being completely unique and far from conforming. it s crazy, it s sexy, and it s sleazy. tune in .

grandiose remixes des titeltracks des vielgelobten, neuen stimming-albums -alpe lusia- vom pampa-protagonisten robag wruhme, der den tune in ein tech-house-juwel verwandelt, und dem langzeit-gespann acid pauli & nu, das sich für eine deepere, hypnotische, fast gespenstische reinterpretation des einzigen albumtracks ohne einen echten groove entscheidet.

a certain level of soulful expression can be reached only when stars align correctly up there as well as down here. once in a while a new track comes along that fools you into thinking you are listening to some lost re-discovery from the catacombs of american soul. the first release on timmion records new stylart imprint should leave a lasting mark on all friends of quality soul balladry. -love can last forever- by the enigmatic fred is the tune that will turn your heart to the love side whether you hear it at the end of a heavy club night, gripping on the wood grain wheel, or leaning on the bars of the penitentiary. who is fred then, you might ask. suffice to say he is a complicated man, who possesses a buttery falsetto and the rare power to turn banal testimonies of heartache and love into cathartic magic. this basically means he has soul, and we don t state this lightly here at timmion. after his first release, there are a few other heaters lined up, so be prepared for fred, his star is rising.

in the music, such as in the life, musnt exist infrastructures which could block or limit feeling transmission and irrationality in thought. beautifull and retrospective sound theories from cobo, k alexi and gari romalis.
each track here is different from the last, and each remixes is a refreshing proposition, from two house masters, of a chicago sexy tune. dont miss flamingo hipanema

it is more than astounding why this tune hasn t been resurrected for an ad for one of the many chain of fast food outlets. although the original 45 is neither superrare nor expensive, finger licken chicken is certainly one of the finest examples of philly funk. it was originally released on leoso but was re-released on the yew label. both sides were written by sonny fulton who teamed up with sandra for a killer r&b-ish funk cut on the flip titled back breaking love

fourth release from parisian label unlearn. after celebrating european talents with previous v/a : four shades, aurèle & caseer are back on us soil with chicagoan artist g. marcell. the title track hails towards the housier side of things. vocals sung by the artist, moody melody and a-1 production skills make ‘@ noon’ a serious summer groover. the rayne dub mix stands on the more melancholico-techno side of things with cleaver drum programing, proper bassline action and straightforward dance-floor material. the flipside shows a more experimental side of things with sound thought, an acidic trip full of haunting strings and cowbell awkwardness, and groov spin, a dazzling tune halfway between celestial unpredictability and caribbean bliss.

april showers bring may flowers, but this april claude vonstroke brings you the rain break. inspired by two different songs from the 80s - (razes classic break for love and oran juice jones the rain), claude has replayed and re-sung all the music from scratch to make a special cover tune of both tracks changed and combined into a surefire dirtybird classic. to quote vonstroke, i kept singing the break for love bassline over and over again in my head but the vocal that always popped in over the top was from the oran juice jones. i cant explain why that happened but i just thought they went together so well that i ran with it.here comes the b is a much weirder affair. built with massive psychedelic effects, a huge kick and almost no hi-hat pattern, this is late night cavemen music at its best. this big release from cvs will have you wishing for a downpour so you can go walking in the rain.

voodoocuts kicks off the a-side with kelja , a raw 70s afro-funk bomb from the ivory coast. the american-funk inspired tune features a funky bassline & killer organ vibe, mingled with a dirty, raw saxophone line and james brown influenced vocals. voodoocuts rework turns the track into a serious dancefloor banger! in the tortoise loop voodoocuts blends an infectious groove with pounding drum breaks and hypnotic vocals. a hot afro-latin joint not to be missed! on the flip soulbrigada takes things to a disco tip. hustleman is a stunning afrofunk & disco gem from west africa. the second track madera is an afro-disco gem with a compelling cape verdean groove. soulbrigada rearranged the tracks, added drums, samples and effects building a brigde between past and present - without ever losing its original organic vibe. two essential tunes for your record bag!

mindtrip presents mt13, which sees another young argentinan talent - farceb - making his mindtrip debut. farceb is a producer whos been pricking ears over the last couple of years with strong releases on labels such as arts, orioni and circular limited. he now joins pfirters imprint with his superb signals from space ep. exoplanet war sets things in motion and is a stylish, entrancing tune, which, if it wasnt for its intrinsic energy and power - would border on the somniferous. next up is signals from space, a tough, brutal and percussive workout, punctuated by dark, organic synth stabs. this track builds and rolls along in a way dancefloors will love. unknown shadow is a powerful, stripped down merciless lump of peak-time techno which cleverly blends atmosphere and hard hitting percussion. the final track - the superb hyperion, is a 6 minute, deadly exercise in pushing intensity and tension to (and sometimes beyond) commonsensical limits. this is mindtrip music!

after the release of their album -black ships- earlier this year tokyo black star cybersamurais alex and isao are returning to the mothership innervisions with their new 12 inch. -caballero- is tune from the album with a brand new mixdown by andreas schorpp and Âme plus a little edit-help from dixon. on the b-side radio slave delivers a fantastic remix of -caballero- which transfers the repetitive and hypnotic patterns he is known for with an exotic more cosmic sounding touch. all in all we think that this is definitely the best tokyo black star release we ever had in our hands.

taking a step back from packed yoshi classics, weve decided to keep it simple with this one, kings of tomorrows i want you for myself. this tune needs no introduction its a vocal powerhouse that had dancers singing along worldwide in the summer of 98.

yoruba records is pleased to bring you a taste of the upcoming who am i remix album featuring a floor filling remix from none other than louie vega. weekend love takes you back to place when love made you smile, featuring the voices of melbournes own motty & siobhan, the perfect vocal duo bringing it all together. louie keeps the soul of the original while delivering a level of house music flair that only he can. vegas roots nyc mix is reminiscent of his classic material, this one is certain to have you vibing to the bassline and is an absolute floor filler. the flip side brings you two deep cuts of pelagonia, the first of which is from up- and-comer at one. his chunky drums and spaced out horns will take you on a hypnotic journey. as the vocal chants come in they seem to remove all doubt, this deep, late night cut is a must have. closing out this ep is yoruba honcho osunlades yoruba soul mix. a heavy, percussion-driven jam that boasts floor-ready bass and clever use of the original horn section, as it builds into a climax this tune is sure to heat up your summer. stay tuned for the full who am i remix album due out late 2016.

weirdistan ep is the first release of the two guys of weirdance on the all new label 165°c records. the two first tracks take your body in a special equatorial climate and teleports your mind inside the intertropical hot zone! the last tune is a more mellow jam version of weirdistan.

the usual concept. an evergreen techno style tune and a hard dirty remix from endlec. no-frills just techno.vinyl release only, limited edition 100 copies onlymastered by black monolith studiosupported by truss, perc, truncate, samuli kemppi, alessio pili, jonas kopp, alexander dniel, maks, astronomical telegram, mental resonance, aymeric g, biemsix, bosh, datura dilema,mirko, tzx grinder, overdraw records, subsist, thomas hessler

durch den subtilen akt einer akustischen trotzhaltung, die spürbar fehlt in der mehr und mehr konservativen und regelkonformen elektronischen musikszene, gibt der talentierte hamburger produzent & dj david august nicht nur sein debüt bei counter records (ninja tune), sondern signalisiert auch ein neues kapitel in seiner musikalischen reise, auf der er sich immer geweigert hat sich anzupassen. geboren in hamburg, lebt der 25-jährige künstler nun in berlin. er hat bisher bei verschiedenen labels veröffentlicht, u.a. den underground-kreativstätten innervisions und diynamic, er hat künstler wie max cooper und the acid geremixt und wurde auf den vierten platz als bester live-act 2014 und 2015 beim resident advisor-poll gewählt.

koehler returns to berceuse heroique with his third release for the label. contra blood invokes the spirit of early no u turn records, infusing some techno dynamics, creating a very interesting anthem for people who don’t care about boundaries in dance music. flammarion breach combines his classic ‘ardcore techno sound with a repetitive arpeggio that recalls the tension of some of the best film scores by john carpenter. with rotating rupees, koehler delivers another beautiful ambient tune and this time its his ode to zelda.

on his first release for berceuse heroique, rotterdam’s finest dj overdose meets one of the strongest producers of detroit, mr. ob ignitt. overdose creates the best soundtrack for a “march of the robots” scene with dead city. the mighty bounce of early dr. dre productions meets some nasty electro carnage. on sorry to disappoint you can hear the classic west coast electro sound of some of his older releases mixed with some funky sci-fi synth lines. then, ob ignitt takes this monster of a tune and creates one of the gnarliest house tunes of this year with a proper g funk bassline that will properly test your sound system on a good night.

future times is very happy to announce a new record from rbl, who we haven t heard from since his 7- for ft (the second-ever release on the label) about 7 years back (!).tip once again the songs are split up into dance and romance sides, on the dance side we have -frequency illusion,- a glorious slap of vibro-house for the deejay crew, coming in hot like a rugged pal joey tune, and on the romance side we have the slow hypnotic funk of -number games,- complete with dope mantra vox and italian slo-house chug. this one is a doozy!!

the new release from help presents works from various help-releated artists. another release from the arhus-imprint that doesn’t directly state club-proof, but still, this one wouldn t mind having a spin or two by your local dance pusher.the opening track is by central, a ripe house tune with both melodies and good-vibes - probably the closest this young man has come to making an anthem. next up is the four piece group maizena with an ambiguous rhythmical ambient-house jam from the area of denmark with the least rainfall. on the b-side you’ll find a raw and to the point recording of dj sports and c.k joining ph 1 in his throwback techno-studio in the suburbs of arhus. next up is the long awaited debut from manmade deejay, who has been cooking a floating rhythm jam for this 5 course meal of modern danish cuisine. last but not least amsterdam-based kaap joined central on a fine day at rubber studios to create this dreamy and galloping ride. all in all this genuine piece of wax is filled with local devotion and love from the help-crew. thanks for the support!

the taleneted frenchman delivering quality house for the discoteque... ninja tune s singles label technicolour welcomes parisian producer nathan melja (formerly simply -melja-) to the fold with a 4-track 12- ep of instinctive, effortless and beautifully understated techno entitled -no no no-. released on 13th may 2016, it s a direct reflection of his future-facing vision teamed with a healthy respect for house and techno s forebears and innovators. you can stream the title track via the technicolour soundcloud and preorder the 12- now. flitting between paris and nyc, nathan made his mark with two superb 12-s for mister saturday night and a sterling ep for opal tapes offshoot imprint black opal in 2014-15. his residency dream real at parisian clubbing institution batofar has featured the likes of moiré (werkdiscs / spectral), technicolour labelmate florian kupfer and italian don madteo.

italian producer and be free label head jäger makes his debut on underyourskin records with a haunting ‘mystical journey‘ that turns out to be a playful minimalistic techno approach in the beginning, before evolving into a dark synth driven and more techhouse dominant tune gaining its dancefloor eligibility with a heavy baseline. louis kolben, part of agents of time, takes on the technoid approach to create a wobbling stomper that could easily tear in any location it is played at. ‘mizar‘, the ep‘s second track, partly connects with regards to content to ‘mystical journey‘ but focussing merely on that dreamy aspect that claims its listeners and leads one to a state of trance. steffen sonnenschein builds up the track slower to delay its peak that hits heavily when the synth sounds are let loose and set the pace throughout the end.

cor12138 presents three previously unreleased tracks taken from the * dots & pearls 3* mix-cd (cormix052 mixed by daniel stefanik). the exclusive three tracker starts with the concept by waveshape - an extremely powerful club tune that demands a very good sound system to deliver its full potential.

religio is glad to present the first va series of the label rigorosely on vinyl only. a side is from lillo and fulvio ruffert & gregorio serasin, both minimal and deep tunes, lillo s track is more big deep bass and bouncy instead the creature from fulvio and his mate is focused on the mesmering soundscapes and deep dub melodies.. b side is from fnr and kitkalt the fnr tune is very organic and sexy and from his kind of producing very analog stuff taste, kitkalt delivers a more techy track, dark and shiny at the same time, a tune for smashing the dance floor..

sean dixon returns after appearances on the clone store only series and his own final chapter. the a-side is filled with two versions of the sample heavy house tune i can t stand the rain. on the b-side stockholm based sean delivers his warm tribute to the classic my house. vinyl only.

the in 1986 produced mks-50 synth is a rack-mount version of roland corporation s alpha juno. it has the same synth engine and architecture, but with added features like 16 programmable chord memories, the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch you create. the optional pg-300 gives traditional slider type control of all editable tone parameters which include dco (digitally controlled oscillators) lfo, bend, env, pulse, waveforms, noise, pw/pwm, high pass filter, vcf (filter) with freq/env/res/lfo/kybd, vca envelope, chorus, and more. adapta delivers a project based on this legendary mks-50 synth. tracks created with technology from the past, aimed for the future. what we call,.. techno!!

born of introspective in 2010, & mixed & processed for years by fresh meat founder mazi namvar, aka audio soul project. “left there” on the flip is joined by a tevo howard mix that gives the tune solid dance floor footing.